The struggle for score hero hack reached unsuspected limits also when it comes to the entertainment industry and the entertainment in the framework of an amusement park. While one might think that everything is already invented, given the proliferation of these parks, Shanghai, the largest city in China, has once again become the epicenter of an invention as surprising as disturbing: the ‘Death Simulator’ or death Simulator.
It’s an attraction that aims to recreate the Act of dying, passing by the cremator to then experience the resurrection.
For a price close to 60 euros, it allows participants to be “killed” by his comrades after a debate to decide who will be the Envoy to the crematorium, giving home to this “game” that has generated a tremendous expectation.
Beyond, in an effort to give it the greatest possible realism, they offer the victim write his latest musings and his last words to take home later or, metaphorically, burn it with.
This process is completed, the attraction ends with participants going through a strait had white LaTeX that symbolizes the rebirth of the individual score hero cheats.
“It’s a really interesting feeling. It gives you at least the possibility to reflect and think about the problems of life. It is a different feeling. When you go through that door you will experience changes in your mind and you will be different to as you were before entering. I think it’s great and really worth a try”, explained Lu Siwei, an Eastern visitor of 33 years in statements collected by Mirror.
“Say goodbye is a very difficult and complicated task. The attraction covers several dimensions and conflicts”, says Ding Rui, founder of the Simulator, who explains that when it comes to inventing what he thought of”how it would be possible to reach a premise on how to educate people in life when approaching the moment just before facing the death so that they don’t have to constantly think about all these problems” who remember the ride.
The futuristic structure of architect Frank Gehry seemed to float like a ship on the blue background of the sky above the Bois de Boulogne. It was the new Louis Vuitton Foundation, which was the exceptional setting of the Vuitton spring/summer 2015 parade.
This Foundation, devoted to modern and contemporary art and as Bernard Arnault will open to the public on October 27, was more than a sensational architectural spectacle. It was also a great showcase for the second collection that NicolasGhesquière drew for the House.
This would lead the creator towards modernist ornaments, something as extraordinary as the play of light that lit the room dark where took place the presentation, as mirrored exterior water bodies?
Tension mounted until the beginning of the show, with the faces of models drawn in holograms LED which of their digital voice, ticked list of 3 600 glass panels and some 15,000 tonnes of steel used to build the structure in which we were sitting with goodwood promo code .
And after? “The Sound of Silence”, referring to the years Simon & Garfunkel, and the podium of the reincarnation of Edie Sedgwick, muse of Andy Warhol in the 1960s died prematurely in 1971, year of the birth of Ghesquière.
What followed was casual outfits: clerical collar lace dresses that had the texture ofmacrame, jean printed retro illustrations of hair dryer, Eyelash curler and Cadillac. Orpants and the richly decorated velvet tops. All excellently executed and full ofdynamic details. And almost all of the girls wore a bag in hand.
“I was not looking for a radical break with my previous collection, first I want to define my image of the cool girl,” said Ghesquière.
Louis Vuitton poses the first stone of a new Foundation
In any case, he knows how to capture the look of the moment: impeccably cuttrousers, coordinates apparently simple made to perfection in sumptuous fabrics,boots of different heights. And the bags, oh how desirable.
Louis Vuitton poses the first stone of a new Foundation promo.
It was easy to find among them the future bestseller: a small bag cowhide leather corrugated with a soft corner, like one worn by Delphine Arnault, Deputy Director General of Vuitton.
It would be unfair to both the Vuitton House and its current creator to evoke the past seasons of Balenciaga, where Ghesquière has spent half of his fifteen year career before appearing on the front of the stage.
Since he did revive the 1970s and 1980s, I rather thought an old Balenciaga collection,inspired by twenty thousand leagues under the sea by Jules Verne, to the time where a tiny team had mounted throughout the event. And at a more recent – and most perverted – exploration of work clothes, presented in a futuristic office of the Seventies.